Posted in Cheat Tricks on Jun 8th, 2008
Remember Sus4? Check out my previous posts on ‘Suspension (part 2)’ and ‘Improvising Sus4’ if necessary. Now, Sus4 is often applied to the II, III and VI major chords, particularly in the ‘Chord Association’ context. Let’s use the following notation for the Sus4 of these 3 chords:
· Let the Sus4 of the II major chord [...]
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Posted in Cheat Tricks on Jun 8th, 2008
Let’s recap the chords in ‘Chord Association (part 1)’ post:
· Chord IIIm usually leads to Chord VIm
· Chord VIm usually leads to Chord IIm
· Chord IIm usually leads to Chord V
· Chord V usually leads to Chord I
· Chord I usually leads to Chord IV
The following are often associated with one another in the same [...]
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Posted in Pop songs, Songs on May 30th, 2008
There are 5 parts in this song.
First, the intro, which is the same as the verse, is made up of the following progression:
IIm –> (I/3) –> (V) –> VIm –> (V/7) –> I –> (VI/M)
The chords in brackets ( ) are transition chords, i.e., they are very short. In this case, they appear on the [...]
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Posted in Cheat Tricks on May 27th, 2008
Very often, a certain chord would naturally lead to another chord. You can find this in many songs. I call this ‘Chord Association’, i.e., associating one chord with another. The following are some examples:
· Chord IIIm usually leads to Chord VIm
· Chord VIm usually leads to Chord IIm
· Chord IIm usually leads to Chord V
· [...]
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Posted in Church songs, Songs on May 11th, 2008
This song by Chris Tomlin is a good example to illustrate our Chord Mixing trick (See “Chord Mixing (part 1)” and “Chord Mixing (part 2)” posts).
The whole song can be simplified to the following chord pattern:
I –> VIm –> IV –> V
That is, Chord I followed by Chord VIm, followed by Chord IV, and then [...]
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